Has digital photography made photography more of an art form?

(4) Comments | Saturday 14th July 2007

There were a lot of accusations of cheating and excess manipulation from photographers when digital photography first hit the mainstream. Indeed, just the other day (2007) I was chatting to a 70+ photographer (who ran a camera shop) and he reiterated the view that digital photography is not an art, but traditional film photography is an art. Why?

(Photograph 1 - River series 4)

Does a definition of art help? Wikipedia states that: Art is a (product of) human activity, made with the intention of stimulating the human senses as well as the human mind and/or spirit; thus art is an action, an object, or a collection of actions and objects created with the intention of transmitting emotions and/or ideas. Beyond this description, there is no general agreed-upon definition of art, since defining the boundaries of "art" is subjective, but the impetus for art is often called human creativity. Clearly from this definition, both traditional and digital photography and anything in between can be art. Even straight documentary photography 'stimulates the senses', so could be classed as art, although the idea of hanging say Don McCullin or Philip Jones Griffiths on my wall seems a little distasteful. I think the above photographer, like many who spent a long time in the darkroom learning their craft, felt threatened by the ease of digital. They projected the craft or the science of photography as being the art, not their creative input. Ansels Adams Zone system is pure science, but his photographs are pure art, there is something of his and his subjects soul in each of his photographs that triggers emotions in all of us. It's an odd point of view that film photography is art. I've given a number of talks to photography clubs where I have asked the question of them "Do you consider yourself to be an artist?". Most photographers asked did not consider themselves to be artists, but as I discussed with them and the above definition proves, any and all of their work could be considered art. My conclusion though is that digital photography has made photography more of an art form than ever. It has democratised photography, removed the technical and scientific barriers that stood in the way of a person truly expressing themselves through a print. Digital and computers have made it easy, and not only to produce a high quality print, there are now many ways to convey your vision - digital projection, print on T-shirts, light boxes. Just as any person can walk into an art shop and buy brushes, paints and a canvas and make a mark, now anyone can buy and use a camera to make their chosen mark. And the results are all around us. The quality of photography today is amazing. From the sports pages of the newspaper, to the revival of alternative processes (of which normal film is now one!), to prints on a gallery wall, there is not only a level of technical excellence but a level of creative and intellectual excellence that includes and surpasses for many people anything that happened before. Ansel Adams and Henri Cartier Bresson will always be masters because of the strength of their creative vision. With technical barriers removed, maybe the rest of us can concentrate on getting there to and being artists, or at least have fun trying. But then, 'artist' is only a label.

 

4 Comments

by Alex Nail on 31st December 2007

Very well said. This distinction betweent eh creative and technical sides of photography is a very important one to make and one that two many get confused. Whilst technique is incredibly important in photography this really only gives us the opportunity to capture great images and is not an end in itself. I greatly enjoyed you artical, thanks

by Gary Waidson aka. Wayland on 25th January 2008

This has been a sticky point since the beginnings of digital photography. There will probably always be old school photographers that see digital manipulation as “cheating” in some way.

Oddly enough these same critics were perfectly happy when I used to choose a particular film for it’s characteristics, selectively focus a lens, use a filter or balance the aperture and shutter speed to create an exposure. Nobody said a word about the development I chose or the way I hand printed in the darkroom, even when the pictures produced were monochrome and looked nothing like the original scene. What’s more they seemed to positively love it if I then chemically toned the images to change the colours even further.

Photographers have been manipulating their images since the very beginnings of photography’s history, the only difference now is that digital technology is catching up to our vision and opening new boundaries of possibility.

Oddly enough I think I have to be more in touch with the craft of photography now than I was in the days of film and darkroom.

by .(JavaScript must be enabled to view this email address) on 16th December 2008

I’m just now working on a website, browsing others for ideas. I found your work stimulating and what you said about photography and art is right on. I’ve seen some pretty good “snapeshots” that made it think and feel!
And look at others viewpoints in a new way.
That is art!

by .(JavaScript must be enabled to view this email address) on 10th January 2009

Wow. I found this article very interesting, and also quite true when I read through it. Your given information is very useful and will benefit others a great deal. I am very interested in your work, and personally find you quite an inspiring photographer.

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